Posts

Vitabu | October's Book

Image
Nike Campbell Fatoki first became aware of colonial wars and life in southwestern Nigeria, as stories told by her grandparents. They fired her imagination. Later, in high school, her mother bought a typewriter which Nike used to write her first book--an untitled novel about the life of a slave girl in Charlottesville, Virginia. In this book, Nike returns to those tales from the French-Danhomè war of the late 1890s in Benin Republic and early 1900s in Abeokuta and Lagos and writes the history of the household of the last independent king of Danhomè, Gbèhanzin, and their fortunes. Nike draws on family stories and history, but translates them into an imaginative tour de force. The story starts with 13-year-old Amelia, daughter of King Gbèhanzin, and apple of her father’s eye. She is loved beyond measure by her mother, Ajo, the favorite wife of the new king. But before old King Glele died, a bitter succession struggle between his sons had divided a palace filed with conspirators ...

Summer hangout with Pede Hollist's So the Path Does Not Die

Image
Pede Hollist, a native of Sierra Leone, is an associate professor of English at The University of Tampa, Florida. His interests cover the literature of the African imagination—literary expressions in the African continent as well as in the African Diaspora. So the Path Does not Die is his first novel.  His short story "‘Foreign Aid" was on the shortlist for the 2013 Caine Prize for African Writing. Vitabu : I found So the Path Does Not Die a remarkable book. The story travels from a graphic, mystical past to the present time, through almost impossible and sometimes hidden cultural, social and economic issues. How did you come up with the idea for the Musudugu chaper? Pede Hollist: Among the Kuranko, Musudugu refers to a woman’s dwelling, but it also describes a mythical place where only women lived, happily and in sisterhood.  The story of Kumba Kargbo’s confrontation with the elders of Musudugu suggests that the conflict between old and new ways and the tension betw...

Nigeria’s Tope Folarin wins the 2013 Caine Prize for African Writing

Image
The 2013 Shortlist: From left, Caine Prize winner Tope Folarin (Nigeria), Pede Hollist (Sierra Leone), Chinelo Okparanta (Nigeria), Elnathan John (Nigeria), Abubakar Adam Ibrahim (Nigeria). (Photo courtesy of Parrésia Publishers) Nigeria’s Tope Folarin has won the 2013 Caine Prize for African Writing, described as Africa’s leading literary award, for his short story entitled ‘Miracle’ from Transition, Issue 109 (Bloomington, 2012). The Chair of Judges, Gus Casely-Hayford, announced Tope Folarin as the winner of the £10,000 prize at a dinner held Monday, 8 July at the Bodleian Library in Oxford. ‘Miracle’ is a story set in Texas in an evangelical Nigerian church where the congregation has gathered to witness the healing powers of a blind pastor-prophet. Religion and the gullibility of those caught in the deceit that sometimes comes with faith rise to the surface as a young boy volunteers to be healed and begins to believe in miracles. Gus Casely-Hayfor...

Beg Sɔl Nɔba Kuk Sup: An Anthology of Krio Poetry | A review by Ian Hancock

Image
Beg Sɔl Nɔba Kuk Sup: An Anthology of Krio Poetry| Sheikh Umarr Kamarah & Marjorie Jones, eds. Sierra Leone Writers Series, Freetown, 2013 

Caine Prize for African Writing announces 2013 Shortlist

The shortlist for the 2013 Caine Prize for African Writing has been announced today (Wednesday 15 May) – and among the five stories chosen are an unprecedented four Nigerian entries and Sierra Leonean Pede Hollist. The Chair of judges, art historian and broadcaster, Gus Casely-Hayford said, “The shortlist was selected from 96 entries from 16 African countries. They are all outstanding African stories that were drawn from an extraordinary body of high quality submissions.” Gus described the shortlist saying, “The five contrasting titles interrogate aspects of things that we might feel we know of Africa – violence, religion, corruption, family, community – but these are subjects that are deconstructed and beautifully remade. These are challenging, arresting, provocative stories of a continent and its descendants captured at a time of burgeoning change.” The winner of the £10,000 prize is to be announced at a celebratory dinner at the Bodleian Library, Oxford, on Monday 8 July. T...

WriTivism Festival | The African Continental Writer, Reader and Publisher

WriTivism Festival | The African Continental Writer, Reader and Publisher Kampala, Uganda  15-19 August 2013

Vitabu | Book of the Month

Image
Man cannot live on Adichie alone, not if you are like me and you find yourself always hankering for delightful and beautifully written love stories - Ainehi Edoro (Bella Naija Book Review: Ainehi Edoro’s Review of “Nothing Comes Close” by Tolulope Popoola, February 28th, 2013) Brittle Paper's Ainehi Edoro did an ace review of Tolulope Popoola's new book in Bella Naija . Like Edoro, I also found Nothing Comes Close a "delightful and beautifully written" love story this past weekend. For protagonists Lola and Wole, nothing really comes close to what they feel for each other. Popoola's sizzling romance, published by her own label, Accomplish Press , is set among a well-heeled circle of  twenty-thirty somethings at personal and professional crossroads. The novel kicks off in Lagos with an intriguing scene before coursing its way through the lives of five very different Nigerian women--the talented and tragic Maureen, Temmy, Titi, Funmi and Lola--all base...